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Download PAKISTAN ANJUMAN BHANGRA CLASSIC 'Suraj Wangon' from 'QAIDI' with SINGER NOOR JEHAN mp4 download free video

THE SUN SHINES SONG with ACTRESS ANJUMAN QUEEN of the PUNJAB was the most amazing JUGGANAUGHT to hit PAKISTANI CINEMA in the 1980s She was The Queen for 10 years and Queen she was She appeared in 106 films between 1973 and 2000 At the time Anjuman was The Ideal Punjabi Beauty that many men dream of and desired in Pakistan It is said that many men in the country burned their shops in distress on the day of Anjuman s wedding in the 1990s because they had missed their chance to marry Queen of the Punjab Anjuman sings with the voice of Malika Tranum [Melody Queen] Madam Noor Jehan The voice fit Anjumans face like it was her own voice Noor Jehan, herself an ex-Punjabi actress had a similar face to Anjuman, maybe that is why the voices and faces match so well Sometimes Madam s voice didn t marry the actresses lips and looked odd, but Anjuman danced and sang like a bird with Tranum s voice adhered to her soul! ORCHESTRATION A musician in Lahore told me that the large groups of drummers took about 12 to 18 hours to learn the complex drum patterns from the Music Director for these Punjabi film songs They performed them from memory in one take at the now closed EMI Studios on Mall Road in Lahore The percussionists apparently did not write anything down but played and played their beats, rests and interactions with fellow musicians until they could just flow together like a machine ORCHESTRA The playback recording has a large ENSEMBLE [group of insturments vocalists] The musical parts were often recorded after practice in one take The singer apparenly came in later to record the vocal Musicians told me that Madam Noor Jehan would record the song three times, it would be mixed to three stereo master tapes and the most preferred vocal interpretation would be sent to the film studios for the actors to mime to The PERCUSSION [instruments you hit] consists of a variety of traditional drums TABLA [floor drums tuned to (I)* & (V)**] and DHOLAKS [Punjabi double headed wedding drums tuned to (I)* & (V)**] There is some DOUBLE-TRACKING [recording the same instrument on different tracks - on playback it sounds like there are twice as many players] Stero mixing came late to Pakistan, so the mixing was experimental There is effective use of hand clapping to give variety and a countryside feel to the track The drum patterns are complex and take a lot of managing A main galloping Punjabi rhythm is used with some varying patterns, use of silence and FILLS [rhythmic full stops] at the ends of sections The drumming is breathtaking The melodic instruments are a Western Guitar that plays some SYNCOPATED [off-beat] strums in tandem with the drums There is some used of quite planned DISCORDANT [clashing] RABAB [Turkic Lute Guitar from Pushto Music with two strings] Western Violins play some racing and very awkard bridge parts and CADENCES [musical full stops] at the end of sections The violin parts are not IDOMATIC [not composed for the violin] - they are worked out under the fingers on the HARMONIUM [floor organ based on Western instrument] and tranposed to violins The string parts don t sing that is, in human voice, the violin parts are very difficult to sing, singing instrumental parts is a sign of good orchestration in Western Music Pakistan has its own style and it is unique and amazing like this song! An ACCORDIAN [western bellowed hand organ - detuned sound] works along with an electronic keyboard A lot of the orchestration is ANTIPHONAL [question and answer] between the parts and bouncing off the SYNCOPATION A female chorus finishes the ENSEMBLE offering variety, colour and rural impression Noor Jehan s voice is unique By the 1980s her voice had changed from the previous sweetness to a racuous explosion of Punjabi countryside expression The voice has a strange combination of nasal and throaty RESONANCE [area where voice vibrates for amplification and tone colour] The nasality of Pakistani singers may have linguistic origin in pronunication of Punjabi language Noor Jehan s voice is unique and startling causing riots and rapture in cinemas! The FORM [sections over time] is variation on Western Pop Song Intro 01 + Intro 02 [ ALAAP vocal note on vowel] + Chorus (I)* + Chorus (I)* + Bridge 01 [long for dancing] + Verse (V)* + Verse (V)* + Chorus (I)* + Bridge 02 [long] + Verse (V)** + Verse (V)** + Chrous (I)* + Chorus (I)* + CODA [end section][ALAAP on chorus] * TONIC doh ** DOMINANT soh The VOCAL, particularly the NASAL VOWEL PASSAGE on the CODA OUTRO is just UNIQUE from NOOR J


Download nigahen mila kar badal jane waale noor jehan mp4 download free video

song Nigahen Mila kar Badal jane waale film Mehboob (1962) Singer malika-e-tarranum Madam Noor Jehan Music Rasheed Attre Cast Rani, Shamim Ara, Habib, Yousuf Khan, Talis( Mehboob is first film of rani) Director Anwar Kamal Producer G A Gul About Noor Jehan the queen of melody malika-e-tarranum Noor Jehan (Punjabi, Urdu نور جہاں) was the adopted stage name for Allah Wasai (September 21, 1926 December 23, 2000) who was a singer and actress in British India and Pakistan She is renowned as one of the greatest singers of her time in South Asia and was given the honorific title of Mallika-e-Tarranum (Urdu ملکہ ترنم, English the queen of melody) Born in a family of musicians, Wasai was pushed by her parents to follow in their musical footsteps and become a singer but she was more interested in acting in films and graced the earliest Pakistani films with her performances She holds an astounding record of 10,000 songs to her singing credits in various languages of Pakistan including Urdu, Punjabi and Sindhi languages,[1] she is also considered to be the first female Pakistani film director In 1957, Jehan was awarded the President s Award for her acting and singing capabilities In 1945, she achieved a milestone, when she sung a Qawwali with Zohrabai Ambalewali and Amirbai Karnataki which was "Aahen Na Bhareen Shikave Na Kiye" This was the first ever Qawwali recorded in female voices in subcontinent films After quitting acting she took up playback singing She made her debut as a playback singer in 1960 with the film Salma Her first initial playback for a Pakistani film was for Jan-e-Bahar (1958), in which she sung the song Kaisa Naseeb Layi Thi, picturised on Musarrat Nazir She received many awards, including with the highest Pakistani honour in entertainment, Tamgha-e-Imtiaz (The Pride of Performance) in 1966, Pakistan s top civil award In the 1990s Jehan also sang for then débutante actresses Neeli and Reema For this very reason, Sabiha Khanum affectionately called her Sadabahar (evergreen) Her popularity was further boosted with her patriotic songs during the 1965 war between Pakistan and India Jehan visited India in 1982 to celebrate the Golden Jubilee of the Indian talkie where she met Indian Prime Minister Indira Gandhi in New Delhi and was received by Dilip Kumar and Lata Mangeshkar in Mumbai Noor Jehan s last film in India was Mirza Sahibaan (1947) which starred Prithviraj Kapoor s brother Trilok Kapoor Noor Jehan sang 127 songs in Indian films and the number of talking films she made from 1932 to 1947 was 69 The number of silents was 12 Fifty-five of her films were made in Bombay, eight in Calcutta, five in Lahore and one in Rangoon (now Yangon), Burma In 1986, On a tour of North America, Jehan suffered from chest pains and was dignosed with angina after which she underwent a surgery to install a pacemaker In 2000, Jehan was hospitalised in Karachi and suffered a heart attack On Saturday afternoon, December 23, 2000, Noor Jehan died from heart failure Her funeral took place at Jamia Masjid Sultan, Karachi and she was buried at the Gizri Graveyard near the Saudi Consulate in Karachi LYRICS - nigaahe n milaa kar badal jaane vaale mujhe tujh se ko_ii shikaayat nahii hai ye duniyaa ba Dii sa nga_dil hai yahaa n par kisii ko kisii se muhabbat nahii hai jafaao n se tuune mere dil ko toDaa mujhe tuune zaalim kahii n kaa na chhoDaa hu_aa mujh ko maaluum sab kuchh luTaa kar vafaa kii yahaa n ko_ii kiimat nahii hai na pahale se din hai na pahalii sii raate n bhulaa dii vo tuune muhabbat kii baate n sunaaye the tuune jo jhuuThe fasaane jaraa sii bhii un me n hakiiqat nahii hai karuu n mai n jo fariiyaad apanii zubaa N se giire n TuuT kar bijaliiyaa N aasamaa N se mai n ashqo n me n saare jahaa N ko bahaa duu N magar mujh ko rone kii aadat nahii hai nigaahe n milaa kar badal jaane va

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