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Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher It began as a radio show broadcast from 1948 to 1957 When the show was adapted to television (1952--56), it became one of the medium s earliest hits In 1956, the sitcom was adapted for big screen in the film of the same name Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students (Conklin was played by Joseph Forte in the show s first episode; Gordon succeeded him for the rest of the series run ) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy Miss Brooks references to her own usually-in-the-shop car became one of the show s running gags Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks affections Margaret Davis (Jane Morgan), Miss Brooks absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father s malevolence and dishonesty Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter s best friend Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks Jacques Monet (Gerald Mohr), a French teacher Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time Arden had actually been the third choice to play the title role Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn t audition Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part With a slightly rewritten audition --Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948 According to radio critic John Crosby, her lines were very "feline" in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs Davis, clueless Boynton, scheming Miss Enright--also received positive reviews Arden won a radio listeners poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March "I m certainly going to try in the coming months to merit the honor you ve bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr Boynton," she joked But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year s best radio comedienne For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products The radio series continued until 1957, a year after its television life ended en wikipedia org wiki Our_Miss_B

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Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher It began as a radio show broadcast from 1948 to 1957 When the show was adapted to television (1952--56), it became one of the medium s earliest hits In 1956, the sitcom was adapted for big screen in the film of the same name Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students (Conklin was played by Joseph Forte in the show s first episode; Gordon succeeded him for the rest of the series run ) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy Miss Brooks references to her own usually-in-the-shop car became one of the show s running gags Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks affections Margaret Davis (Jane Morgan), Miss Brooks absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father s malevolence and dishonesty Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter s best friend Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks Jacques Monet (Gerald Mohr), a French teacher Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time Arden had actually been the third choice to play the title role Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn t audition Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part With a slightly rewritten audition --Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948 According to radio critic John Crosby, her lines were very "feline" in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs Davis, clueless Boynton, scheming Miss Enright--also received positive reviews Arden won a radio listeners poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March "I m certainly going to try in the coming months to merit the honor you ve bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr Boynton," she joked But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year s best radio comedienne For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products The radio series continued until 1957, a year after its television life ended en wikipedia org wiki Our_Miss_B

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The Los Angeles Police Department (LAPD) is the police department of the city of Los Angeles, California The LAPD has been copiously fictionalized in numerous movies, novels and television shows throughout its history The department has also been associated with a number of controversies, mainly concerned with racial animosity, police brutality and police corruption The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher Rosenquist was already famous because home radios could tune into early police radio frequencies As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station Due to Dragnet s popularity, LAPD Chief Parker "became, after J Edgar Hoover, the most well known and respected law enforcement official in the nation" In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show s previous mainstay Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L A Confidential, Lakeview Terrace, Law & Order Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series The LAPD is also featured in the video games Midnight Club II, Midnight Club Los Angeles, L A Noire and Call of Juarez The Cartel The LAPD has also been the subject of numerous novels Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det Lt Luis Mendoza, who was introduced in the Edgar-nominated Case Pending Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD Wambaugh also created the Emmy-winning TV anthology series Police Story Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD s most famous "cold case", and L A Confidential, which was made into a film of the same name Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era Critic Roger Ebert indicates that the film s characters (from the 1950s) "represent the choices ahead for the LAPD" assisting Hollywood limelight, aggressive policing with relaxed ethics, and a "straight arrow" approach en wikipedia org wiki

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The program s heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox Autolite run) Here the material reached new levels of sophistication The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio s famous drama and comedy stars — often playing against type — such as Jack Benny Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, "Backseat Driver," which originally aired February 3, 1949 The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show On the May 10, 1951 Suspense, Lewis reversed the roles with "Death on My Hands" A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline To save money, the program frequently used s first broadcast by another noteworthy CBS anthology, Escape In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content By the end of its run, the series was remaking s from the long-canceled program The Mysterious Traveler A time travel tale like Robert Arthur s "The Man Who Went Back to Save Lincoln" or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas en wikipedia org wiki Suspense_%28radio_dra

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Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher It began as a radio show broadcast from 1948 to 1957 When the show was adapted to television (1952--56), it became one of the medium s earliest hits In 1956, the sitcom was adapted for big screen in the film of the same name Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students (Conklin was played by Joseph Forte in the show s first episode; Gordon succeeded him for the rest of the series run ) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy Miss Brooks references to her own usually-in-the-shop car became one of the show s running gags Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks affections Margaret Davis (Jane Morgan), Miss Brooks absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father s malevolence and dishonesty Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter s best friend Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks Jacques Monet (Gerald Mohr), a French teacher Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time Arden had actually been the third choice to play the title role Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn t audition Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part With a slightly rewritten audition --Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948 According to radio critic John Crosby, her lines were very "feline" in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs Davis, clueless Boynton, scheming Miss Enright--also received positive reviews Arden won a radio listeners poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March "I m certainly going to try in the coming months to merit the honor you ve bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr Boynton," she joked But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year s best radio comedienne For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products The radio series continued until 1957, a year after its television life ended en wikipedia org wiki Our_Miss_B

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Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law s estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley) The household also included a cook named Birdie Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course, it s a Gildersleeve") and then for the bulk of the show s run, serving as Summerfield s water commissioner, between time with the ladies and nights with the boys The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve s now slightly understated pomposity Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood er Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr Horrible s Sing-Along Blog) The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons en wikipedia org wiki The_Great_Gilders

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Jan Karski (24 April 1914 -- 13 July 2000) was a Polish World War II resistance movement fighter and later professor at Georgetown University In 1942 and 1943 Karski reported to the Polish government in exile and the Western Allies on the situation in German-occupied Poland, especially the destruction of the Warsaw Ghetto, and the secretive German-Nazi extermination camps In November 1939, on a train to a POW camp in General Government (a part of Poland which had not been fully incorporated by Nazi Germany into The Third Reich), Karski managed to escape, and found his way to Warsaw There he joined the ZWZ -- the first resistance movement in occupied Europe and a predecessor of the Home Army (AK) About that time he adopted a nom de guerre of Jan Karski, which later became his legal name Other noms de guerre used by him during World War II included Piasecki, Kwaśniewski, Znamierowski, Kruszewski, Kucharski, and Witold In January 1940 Karski began to organize courier missions with dispatches from the Polish underground to the Polish Government in Exile, then based in Paris As a courier, Karski made several secret trips between France, Britain and Poland During one such mission in July 1940 he was arrested by the Gestapo in the Tatra mountains in Slovakia Severely tortured, he was finally transported to a hospital in Nowy Sącz, from where he was smuggled out After a short period of rehabilitation, he returned to active service in the Information and Propaganda Bureau of the Headquarters of the Polish Home Army [citation needed] In 1942 Karski was selected by Cyryl Ratajski, the Polish Government s Delegate at Home, to perform a secret mission to prime minister Władysław Sikorski in London Karski was to contact Sikorski as well as various other Polish politicians and inform them about Nazi atrocities in occupied Poland In order to gather evidence, Karski met Bund activist Leon Feiner and was twice smuggled by Jewish underground leaders into the Warsaw Ghetto for the purpose of showing him first hand what was happening to the Polish Jews Also, disguised as a Ukrainian camp guard, he visited what he thought was Bełżec death camp In actuality, it seems that Karski only got close enough to witness a Durchgangslager ("sorting and transit point") for Bełżec in the town of Izbica Lubelska, located midway between Lublin and Bełżec [4] Many historians have accepted this theory, as did Karski himself [5] From 1942 Karski reported to the Polish, British and U S governments on the situation in Poland, especially on the destruction of the Warsaw Ghetto and the Holocaust of the Jews He had also carried out of Poland a microfilm with further information from the underground movement on the extermination of European Jews in German-occupied Poland The Polish Foreign Minister Count Edward Raczynski provided the Allies on this basis one of the earliest and most accurate accounts of the Holocaust A note by Foreign Minister Edward Raczynski entitled The mass extermination of Jews in German occupied Poland, addressed to the governments of the United Nations on 10 December 1942, would later be published along with other documents in a widely distributed leaflet [6] Karski met with Polish politicians in exile including the Prime Minister, as well as members of political parties such as the Socialist Party, National Party, Labor Party, People s Party, Jewish Bund and Poalei Zion He also spoke to the British Foreign Secretary Anthony Eden, giving a detailed statement on what he had seen in Warsaw and Bełżec In 1943 in London he met the well-known journalist Arthur Koestler, the later author of Darkness at Noon He then traveled to the United States and reported to President Franklin D Roosevelt In July 1943 Karski again personally reported to Roosevelt about the situation in Poland Karski met with many other government and civic leaders in the United States, including Felix Frankfurter, Cordell Hull, William Joseph Donovan, and Stephen Wise Frankfurter, skeptical of Karski s report, said later "I did not say that he was lying, I said that I could not believe him There is a difference "[7] Karski presented his report to media, bishops of various denominations (including Cardinal Samuel Stritch), members of the Hollywood film industry and artists, but without result His warning about the Yalta solution and the plight of stateless peoples became an inspiration for the formation of the Office of High Commissioner for Refugees after the war [8] In 1944 Karski published Courier from Poland The Story of a Secret State (with a selection featured in Collier s six weeks before the book s release[9][10]), in which he related his experiences in wartime Poland The book was a major success (a film of it was planned but never realized) with more than 400,000 copies sold alone in the United States up to the end of World War II en wikipedia org wiki Jan_K

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The Los Angeles Police Department (LAPD) is the police department of the city of Los Angeles, California The LAPD has been copiously fictionalized in numerous movies, novels and television shows throughout its history The department has also been associated with a number of controversies, mainly concerned with racial animosity, police brutality and police corruption The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher Rosenquist was already famous because home radios could tune into early police radio frequencies As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station Due to Dragnet s popularity, LAPD Chief Parker "became, after J Edgar Hoover, the most well known and respected law enforcement official in the nation" In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show s previous mainstay Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L A Confidential, Lakeview Terrace, Law & Order Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series The LAPD is also featured in the video games Midnight Club II, Midnight Club Los Angeles, L A Noire and Call of Juarez The Cartel The LAPD has also been the subject of numerous novels Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det Lt Luis Mendoza, who was introduced in the Edgar-nominated Case Pending Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD Wambaugh also created the Emmy-winning TV anthology series Police Story Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD s most famous "cold case", and L A Confidential, which was made into a film of the same name Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era Critic Roger Ebert indicates that the film s characters (from the 1950s) "represent the choices ahead for the LAPD" assisting Hollywood limelight, aggressive policing with relaxed ethics, and a "straight arrow" approach en wikipedia org wiki

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Janet Waldo (born February 4, 1924) is an American actress and voice artist with a career encompassing radio, television, animation and live-action films She is best known in animation for voicing Judy Jetson, Penelope Pitstop and Josie McCoy in Josie and the Pussycats She was equally famed for radio s Meet Corliss Archer, a title role with which she was so identified that she was drawn into the comic book adaptation Waldo appeared in several dozen films in uncredited bit parts and small roles, although she was the leading lady in three Westerns, two of them starring Tim Holt Her big break came in radio with a part on Cecil B DeMille s Lux Radio Theater In her radio career, she lent her voice to many programs, including Edward G Robinson s Big Town, The Eddie Bracken Show, Favorite Story, Four-Star Playhouse, The Gallant Heart, One Man s Family, Sears Radio Theater and Stars over Hollywood She co-starred with Jimmy Lydon in the CBS situation comedy Young Love (1949--50), and she had recurring roles on The Adventures of Ozzie and Harriet (as teenager Emmy Lou), The Red Skelton Show and People Are Funny However, it was her eight-year run starring as teenager Corliss Archer on CBS s Meet Corliss Archer that left a lasting impression, even though Shirley Temple starred in the film adaptations, Kiss and Tell and A Kiss for Corliss The radio program was the CBS answer to NBC s popular A Date with Judy Despite the long run of Meet Corliss Archer, less than 24 episodes are known to exist Waldo later turned down the offer to portray Corliss in a television adaptation In 1948 the Meet Corliss Archer comic book, using Waldo s likeness, published by Fox Feature Syndicate, appeared for a run of three issues from March to July 1948, using the original s The same year, Waldo married playwright Robert Edwin Lee, the writing partner of Jerome Lawrence The couple had two children, and remained married until his death in 1994 Waldo made a rare on-screen television appearance when she appeared as Peggy, a teen smitten with Ricky Ricardo on a 1952 episode of I Love Lucy titled "The Young Fans" with Richard Crenna Ten years later, Waldo again worked with Lucille Ball, this time playing Lucy Carmichael s sister, Marge, on The Lucy Show That episode, "Lucy s Sister Pays A Visit" also featured actor Peter Marshall She also appeared on an episode of The Andy Griffith Show as Amanda In addition, Waldo reprised the role of Emmy Lou for some early TV episodes of The Adventures of Ozzie and Harriet Later, she was the female lead opposite Anthony Franciosa in the short-lived sitcom Valentine s Day (1964) en wikipedia org wiki Janet_Waldo Shirley Mitchell (born November 4, 1919) is an American film and television actress After moving to Chicago, she appeared in the network broadcast of The First Nighter and played small parts in various soap operas including The Story of Mary Marlin and The Road of Life After moving to Los Angeles, she played opposite Joan Davis in The Sealtest Village Store She also starred as Louella in The Life of Riley and joined the cast of Fibber McGee and Molly as Alice Darling in 1943 Her most prominent radio role was that of the charismatic Southern belle Leila Ransom on The Great Gildersleeve radio show beginning in September 1942 In 1953, Shirley joined the cast of I Love Lucy playing the part of Lucy Ricardo s friend Marion Strong As of 2012, she is the only recurring adult cast member still living following the deaths of Doris Singleton in 2012 and Peggy Rea in 2011 In 1962, she played Mrs Colton on the CBS-TV comedy series Pete and Gladys, and between 1965--1967, she appeared as neighbor Marge Thornton on NBC-TVs Please Don t Eat the Daisies In the same year she appeared in Episode 13, Season 2 of The Dick Van Dyke Show when she played Shirley Rogers opposite Bob Crane as Harry Rogers in Somebody Has to Play Cleopatra In 1963, she appeared on the television program The Beverly Hillbillies as Opal Clampett (the wife of Jake Clampett, an out-of-work actor) In 1966, she appeared in Green Acres as a nurse and as Oliver s old friend Wanda Between 1967 and 1968, she portrayed Kate Bradley s cousin Mae Belle Jennings on Petticoat Junction In 1968, she appeared in the Season 1 finale of The Doris Day Show as Mrs Loomis, a woman who accuses Billy of stealing $5 00 from her purse after she dropped it In 1972, she was the voice of Laurie Holiday on the Hanna-Barbera cartoon series, The Roman Holidays In 1994, Mitchell voiced the Sneetches, cousins, Thidwick s mother and Sue the Second Fish in Storybook Weaver and later in 2004, deluxe version in Storybook Weaver Deluxe In 2012, she voiced her guest star as Betty White in MAD episode, "Betty White & the Huntsman Ancient Greek Mythbusters" en wikipedia org wiki Shirley_Mit

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The Los Angeles Police Department (LAPD) is the police department of the city of Los Angeles, California The LAPD has been copiously fictionalized in numerous movies, novels and television shows throughout its history The department has also been associated with a number of controversies, mainly concerned with racial animosity, police brutality and police corruption The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher Rosenquist was already famous because home radios could tune into early police radio frequencies As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station Due to Dragnet s popularity, LAPD Chief Parker "became, after J Edgar Hoover, the most well known and respected law enforcement official in the nation" In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show s previous mainstay Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L A Confidential, Lakeview Terrace, Law & Order Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series The LAPD is also featured in the video games Midnight Club II, Midnight Club Los Angeles, L A Noire and Call of Juarez The Cartel The LAPD has also been the subject of numerous novels Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det Lt Luis Mendoza, who was introduced in the Edgar-nominated Case Pending Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD Wambaugh also created the Emmy-winning TV anthology series Police Story Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD s most famous "cold case", and L A Confidential, which was made into a film of the same name Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era Critic Roger Ebert indicates that the film s characters (from the 1950s) "represent the choices ahead for the LAPD" assisting Hollywood limelight, aggressive policing with relaxed ethics, and a "straight arrow" approach en wikipedia org wiki

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The Los Angeles Police Department (LAPD) is the police department of the city of Los Angeles, California The LAPD has been copiously fictionalized in numerous movies, novels and television shows throughout its history The department has also been associated with a number of controversies, mainly concerned with racial animosity, police brutality and police corruption The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher Rosenquist was already famous because home radios could tune into early police radio frequencies As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station Due to Dragnet s popularity, LAPD Chief Parker "became, after J Edgar Hoover, the most well known and respected law enforcement official in the nation" In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show s previous mainstay Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L A Confidential, Lakeview Terrace, Law & Order Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series The LAPD is also featured in the video games Midnight Club II, Midnight Club Los Angeles, L A Noire and Call of Juarez The Cartel The LAPD has also been the subject of numerous novels Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det Lt Luis Mendoza, who was introduced in the Edgar-nominated Case Pending Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD Wambaugh also created the Emmy-winning TV anthology series Police Story Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD s most famous "cold case", and L A Confidential, which was made into a film of the same name Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era Critic Roger Ebert indicates that the film s characters (from the 1950s) "represent the choices ahead for the LAPD" assisting Hollywood limelight, aggressive policing with relaxed ethics, and a "straight arrow" approach en wikipedia org wiki

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The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher Rosenquist was already famous because home radios could tune into early police radio frequencies As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station Due to Dragnet s popularity, LAPD Chief Parker "became, after J Edgar Hoover, the most well known and respected law enforcement official in the nation" In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show s previous mainstay Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L A Confidential, Lakeview Terrace, Law & Order Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series The LAPD is also featured in the video games Midnight Club II, Midnight Club Los Angeles, L A Noire and Call of Juarez The Cartel The LAPD has also been the subject of numerous novels Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det Lt Luis Mendoza, who was introduced in the Edgar-nominated Case Pending Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD Wambaugh also created the Emmy-winning TV anthology series Police Story Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD s most famous "cold case", and L A Confidential, which was made into a film of the same name Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era Critic Roger Ebert indicates that the film s characters (from the 1950s) "represent the choices ahead for the LAPD" assisting Hollywood limelight, aggressive policing with relaxed ethics, and a "straight arrow" approach en wikipedia org wiki

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Aiding and abetting the periodically frantic life in the Gildersleeve home was family cook and housekeeper Birdie Lee Coggins (Lillian Randolph) Although in the first season, under writer Levinson, Birdie was often portrayed as saliently less than bright, she slowly developed as the real brains and caretaker of the household under writers John Whedon, Sam Moore and Andy White In many of the later episodes Gildersleeve has to acknowledge Birdie s commonsense approach to some of his predicaments By the early 1950s, Birdie was heavily depended on by the rest of the family in fulfilling many of the functions of the household matriarch, whether it be giving sound advice to an adolescent Leroy or tending Marjorie s children By the late 1940s, Marjorie slowly matures to a young woman of marrying age During the 9th season (September 1949-June 1950) Marjorie meets and marries (May 10) Walter "Bronco" Thompson (Richard Crenna), star football player at the local college The event was popular enough that Look devoted five pages in its May 23, 1950 issue to the wedding After living in the same household for a few years with their twin babies Ronnie and Linda, the newlyweds move next door to keep the expanding Gildersleeve clan close together Leroy, aged 10--11 during most of the 1940s, is the all-American boy who grudgingly practices his piano lessons, gets bad report cards, fights with his friends and cannot remember to not slam the door Although he is loyal to his Uncle Mort, he is always the first to deflate his ego with a well-placed "Ha!!!" or "What a character!" Beginning in the Spring of 1949, he finds himself in junior high and is at last allowed to grow up, establishing relationships with the girls in the Bullard home across the street From an awkward adolescent who hangs his head, kicks the ground and giggles whenever Brenda Knickerbocker comes near, he transforms himself overnight (November 28, 1951) into a more mature young man when Babs Winthrop (both girls played by Barbara Whiting) approaches him about studying together From then on, he branches out with interests in driving, playing the drums and dreaming of a musical career en wikipedia org wiki Great_Gilders

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