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Watch the latest dramas and movies with subtitles www viki com Watch the most recent K-dramas www viki com tv browse?utf8 %E2%9C%93&genre 23g&country kr&language &sort latest Watch more Dramas www viki com genres drama ************************************* Join the Viki party, subtitle your favourite show and share with other viewers now www viki com community ************************************* Playful Kiss is based on the Japanese manga Mischievous Kiss Brought to you by Group Eight (Goong and Boys over Flowers) The drama has previously been made for Japanese and Taiwanese audiences and they both were a huge success Playful Kiss is about a popular and genius male student named Baek Seung-jo who has a stand-offish personality and Oh Hani who is a female student who makes up for being not-so-genius by always being smiling and happy An earthquake destroys the girl s home and she and her dad end up living with the boy s family The girl has kept this boy in her heart but she has never received any assurances of her love being reciprocated Fun and groans ensue as they interact and rub off on each other ************************************* It s already the season for college acceptance, and first is the rolling admissions Gang Hee prods Ha Ni to apply to Parang University Despite all of the obstacles, Ha Ni applies and like a miracle she passes the first rounds Despite the crazy typhoon she makes it to her second round interview ********************************

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Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher It began as a radio show broadcast from 1948 to 1957 When the show was adapted to television (1952--56), it became one of the medium s earliest hits In 1956, the sitcom was adapted for big screen in the film of the same name Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students (Conklin was played by Joseph Forte in the show s first episode; Gordon succeeded him for the rest of the series run ) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy Miss Brooks references to her own usually-in-the-shop car became one of the show s running gags Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks affections Margaret Davis (Jane Morgan), Miss Brooks absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father s malevolence and dishonesty Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter s best friend Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks Jacques Monet (Gerald Mohr), a French teacher Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time Arden had actually been the third choice to play the title role Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn t audition Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part With a slightly rewritten audition --Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948 According to radio critic John Crosby, her lines were very "feline" in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs Davis, clueless Boynton, scheming Miss Enright--also received positive reviews Arden won a radio listeners poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March "I m certainly going to try in the coming months to merit the honor you ve bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr Boynton," she joked But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year s best radio comedienne For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products The radio series continued until 1957, a year after its television life ended en wikipedia org wiki Our_Miss_B

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One of the series earliest successes and its single most popular episode is Lucille Fletcher s "Sorry, Wrong Number," about a bedridden woman (Agnes Moorehead) who panics after overhearing a murder plot on a crossed telephone connection but is unable to persuade anyone to investigate First broadcast on May 25, 1943, it was restaged seven times (last on February 14, 1960) — each time with Moorehead The popularity of the episode led to a film adaptation, Sorry, Wrong Number (1948), starring Barbara Stanwyck Nominated for an Academy Award for her performance, Stanwyck recreated the role on Lux Radio Theater Loni Anderson had the lead in the TV movie Sorry, Wrong Number (1989) Another notable early episode was Fletcher s "The Hitch Hiker," in which a motorist (Orson Welles) is stalked on a cross-country trip by a nonde man who keeps appearing on the side of the road This episode originally aired on September 2, 1942, and was later adapted for television by Rod Serling as a 1960 episode of The Twilight Zone After the network sustained the program during its first two years, the sponsor became Roma Wines (1944--1947), and then (after another brief period of sustained hour-long episodes, initially featuring Robert Montgomery as host and "producer" in early 1948), Autolite Spark Plugs (1948--1954); eventually Harlow Wilcox (of Fibber McGee and Molly) became the pitchman William Spier, Norman MacDonnell and Anton M Leader were among the producers and directors The program s heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox Autolite run) Here the material reached new levels of sophistication The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio s famous drama and comedy stars — often playing against type — such as Jack Benny Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, "Backseat Driver," which originally aired February 3, 1949 en wikipedia org wiki Suspense_%28radio_dra

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One of the series earliest successes and its single most popular episode is Lucille Fletcher s "Sorry, Wrong Number," about a bedridden woman (Agnes Moorehead) who panics after overhearing a murder plot on a crossed telephone connection but is unable to persuade anyone to investigate First broadcast on May 25, 1943, it was restaged seven times (last on February 14, 1960) — each time with Moorehead The popularity of the episode led to a film adaptation, Sorry, Wrong Number (1948), starring Barbara Stanwyck Nominated for an Academy Award for her performance, Stanwyck recreated the role on Lux Radio Theater Loni Anderson had the lead in the TV movie Sorry, Wrong Number (1989) Another notable early episode was Fletcher s "The Hitch Hiker," in which a motorist (Orson Welles) is stalked on a cross-country trip by a nonde man who keeps appearing on the side of the road This episode originally aired on September 2, 1942, and was later adapted for television by Rod Serling as a 1960 episode of The Twilight Zone After the network sustained the program during its first two years, the sponsor became Roma Wines (1944--1947), and then (after another brief period of sustained hour-long episodes, initially featuring Robert Montgomery as host and "producer" in early 1948), Autolite Spark Plugs (1948--1954); eventually Harlow Wilcox (of Fibber McGee and Molly) became the pitchman William Spier, Norman MacDonnell and Anton M Leader were among the producers and directors The program s heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox Autolite run) Here the material reached new levels of sophistication The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio s famous drama and comedy stars — often playing against type — such as Jack Benny Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, "Backseat Driver," which originally aired February 3, 1949 en wikipedia org wiki Suspense_%28radio_dra

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Wanda Wasilewska (21 January 1905 -- 29 July 1964) was a Polish and Soviet novelist and communist political activist who played an important role in the creation of a Polish division of the Soviet Red Army during World War II and the formation of the People s Republic of Poland She had fled the German attack on Warsaw in September 1939 and taken up residence in Soviet-occupied Lviv and eventually the Soviet Union Wasilewska was born on 25 January 1905 in Kraków, Austria-Hungary Her father was Leon Wasilewski, a Polish Socialist Party politician She studied philosophy at the Warsaw University and Polish language and Polish literature at the Jagiellonian University in Kraków After she graduated she remained at her alma mater and passed her doctorate exams in 1927 While studying she started cooperation with the Union of Socialist Youth and Society of Workers Universities Soon after she finished her studies she started working as a school teacher and a journalist for various left-wing newspapers, among them "Naprzód", "Robotnik", "Dziennik Popularny" and "Oblicze Dnia" She also became the chairperson of the "Płomyk" and "Płomyczek" monthlies for children, where she introduced Soviet propaganda Although she was often criticised for her radical left-wing opinions, she joined the PPS instead of the communist party, where she was soon promoted to a member of the main party council In her early political career she supported an alliance of all the left-wing parties with the communists against the ruling Sanacja She was also an active supporter of many strikes in Poland During one of the demonstrations in Kraków she met Marian Bogatko, whom she later married After the Polish defeat in the Polish Defensive War of 1939 and the partition of Poland into Soviet and German occupied zones, she moved to Lviv where she automatically became a Soviet citizen The Gestapo — acting at the request of the NKVD — helped to transfer her daughter and her furniture from Warsaw to Lviv [1] She became a member of various communist organisations uniting local Polish and Ukrainian communists She was also a journalist for the Czerwony Sztandar (Red Banner), a Soviet propaganda newspaper printed in Polish language In early 1940, Joseph Stalin awarded her a seat in the Supreme Soviet of the USSR She also became the chair of the Dramatic Theatre in Lviv After the German invasion of the Soviet Union Wasilewska fled advancing Nazi army and joined the Red Army as a war correspondent and a functionary of the Political Commandment (Politupravleniye) of the Red Army She held the military rank of a colonel [2] She was also one of the founders (together with Jerzy Putrament) of the "Nowe Widnokręgi" monthly After consultations with Stalin (and most probably by his direct order) she became the head of the newly formed Związek Patriotów Polskich (Society of Polish Patriots), a Soviet-created provisional government that was to control Poland In 1944 she also became the deputy chief of the Polish Committee of National Liberation (PKWN), another provisional government which was also sponsored by the Soviet Union and opposing the Polish government in exile as the legal government of Poland She favoured the incorporation of Poland as a republic of the Soviet Union After most of Poland was occupied by the Red Army she decided to stay in the Soviet Union She also became involved in a relationship with Ukrainian playwright Oleksandr Korniychuk, with whom she moved to Kiev Although both her Russian and Ukrainian language abilities were very limited, she remained a member of the Supreme Soviet of the Soviet Union for several decades She did not return to public life, however She died on July 29, 1964 in Kiev She is buried in the Baikove Cemetery She was triple recipient of the Stalin prize for literature (1943, 1946, 1952) During the life of Joseph Stalin she was considered a classic writer of Soviet literature and her works were included into the school curriculum throughout the Soviet Union, but she was almost completely forgotten after his d

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Meet Corliss Archer, a program from radio s Golden Age, ran from January 7, 1943 to September 30, 1956 Priscilla Lyon and Janet Waldo successively portrayed 15-year-old Corliss on radio Lugene Sanders also played Corliss briefly on radio and in the Meet Corliss Archer television show Perpetually perky, breathless and well-intentioned, Corliss is constantly at the side of her next-door neighbor and boyfriend, Dexter Franklin (Bill Christy, Sam Edwards) Clumsy, nerdy Dexter, a sweet but constant bungler with a nasal voice, is best remembered for his trademark phrase, "Holy cow!" and his braying call, "Heyyyy, Corrrrrliiiiiss!"--frequently delivered from the hedge separating their houses Harry Archer, Corliss father, is a lawyer who tolerates Dexter only when he wants to use him to prove the superiority of the male gender Gruff but gentle, he was played by both Fred Shields and Frank Martin Janet Archer, Corliss mother, was played by Irene Tedrow, Monty Margetts, and Gloria Holden She is calm and understanding with her daughter and her husband, both of whom sometimes try her patience Other frequent characters include Mildred Ames, a good friend of Corliss (played by Bebe Young and Barbara Whiting); Mildred s irritating younger brother Raymond (Tommy Bernard, Kenny Godkin); and Corliss rival, Betty Cameron (Delores Crane) Meet Corliss Archer was written by F Hugh Herbert, who first introduced the character and her friends in the magazine story "A Private Affair," the first of a series of stories Kiss and Tell was a 1943 play that was adapted for a 1945 film starring Shirley Temple The 1949 sequel, A Kiss For Corliss, was re-released in

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Thrillers often overlap with mystery stories but are distinguished by the structure of their plots In a thriller, the hero must stop the plans of an enemy rather than uncover a crime that has already happened Mystery thrillers also occur on a much grander scale the crimes that must be prevented are serial or mass murder, terrorism, assassination, or the overthrow of governments Jeopardy and violent confrontations are standard plot elements in the mystery-thriller genre (i e , Triangle), unlike in the mystery genre where the story is more downbeat and dramatic (i e , Changeling) While a mystery climaxes when the mystery is solved (i e , Gosford Park), a mystery thriller climaxes when the hero finally defeats the villain (after reveal), saves his own life and often the lives of others (i e , Oldboy) There is very little violence, menace and threat in mystery detective films (especially between the villain and other innocent people), whilst the violence is quite intense in thrillers and the villain is more ruthless In thrillers influenced by film noir and tragedy, the compromised hero is often killed in the process A thriller isn t just about someone being murdered There is always something bigger and more important at stake behind the murder that may endanger more lives Where in a mystery the motive for a crime such as insurance fraud can be greed, in a thriller mere money doesn t come across as believable for all the terrible things the antagonist will do en wikipedia org wiki Thriller_%28gen

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